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Hallways, generally speaking, are not places you want to be in the movies. You can be just strolling down one when, all of a sudden, elevator doors open up and a river of blood comes flowing out. They are often corridors of violence - the site of the hammer rampage of "Oldboy" or the rotating fisticuffs of "Inception" - where narrow walls buffer and condense the action. Or they can focus a character´s direction. To set Lee Marvin´s appropriately named Walker on his obsessive path in the reveng ...Read More >
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