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Some decades ago, I watched a kathakata (a play that is a narrative by a single female character) titled Nathavati, Anathavat by the playwright Saoli Mitra and was deeply moved by the feminist retelling of Draupadi's story. Mitra's inspiration was Irawati Karve's Yuganta: The End of an Epoch (1967), and within a few days, I was the proud owner of a copy. That was my introduction to the famous anthropologist, who, I believe, figures more in the syllabi of the comparative literature department of ...Read More >
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